6:15pm - Mick Meagher
Mick Meagher - electric bass, electronic manipulation
Mick Meagher is a graduate from the Victorian College of the Arts Improvisation degree (Bachelor of Music 2005, with Honours 2016), and is currently undertaking a Master of Arts (Music performance) degree at Monash University, under the supervision of Professor Cat Hope. As a working musician, on the electric and double bass, Mick has enjoyed a diverse and active career. He currently works with notable groups and artists, including, Emma Donovan, The Putbacks, The Eugene Ball 4tet, Andrea Keller’s 5 Below, Jenny Barnes, as well as a new pursuit in solo electric bass performance, which coincides with his current Masters Research.
DEVELOPMENT CONCEPT: My concept for this creative development opportunity is to perform a series of three solo electric bass concerts. Each concert I will present a single, improvised piece of music that draws from textural approaches of electric bass playing that I have been developing over the past five years, which involve drone, low frequency resonance, feedback, slow tempi and minimalism. Although my performance will be largely improvised, I will include pre-composed material to enhance textural elements and guide the structure.
I will use the August 26 and October 28 performances to trial, test and navigate technical set ups. These concerts will be recorded (using my own personal Zoom recorder, as well as GoPro to capture visual footage), allowing me to reflect and prepare the delivery of a focused conceptual performance for the December 16 date. I would accept the opportunity to record the December 16 concert, and I envisage to release this recording on my personal Bandcamp page as a digital release, adding to my discography of solo bass records. I have released two solo electric bass albums, Droning Bells (2016), and Shudder (2017), which reflect my growing interest and explorations in low frequency sound, drone, solo improvised performance, and long form improvisation.
In addition to the sound-art elements of my performance, I will use this platform as an opportunity to experiment with staging and set design, by devising concepts for lighting, added visuals and props to enhance the performance space. I am driven to deliver appealing and engaging performances of improvised music, and I see the consideration of stage craft and stage design as a key factor in manipulating the performance space to maximize the full potential of the soloist’s impact.
I am excited to pursue this opportunity with Dev Res to broaden my scope and experience as a solo performing musician who works with improvisation and contemporary approaches to instrumental playing.
This event will take place on the lands of the Wurundjeri tribe of the Kulin nation and we pay our respects to their elders past, present and emerging.